Canvas of Soil Class 9 Question Answer
Reflect and Respond
I. Work in pairs. Discuss what all you see in a garden. Think of the colours you see and where you see them. Share your responses with your teacher.
Answer:
In a garden, we can see trees, plants, flowers, grass, birds, butterflies, and insects. We may also notice sunlight, soil, water, and sometimes small animals.
The colours seen are:
Green – leaves, grass, trees; Red, yellow, pink, purple – flowers, butterflies;
Blue – sky; Brown – soil and tree trunks, benches, birds
II. Look at the picture of a garden and a painting given below. Speak about any similarities between the garden and the painting.

Speak using the following:
- Just as a garden ______________, similarly, a painting ______________
- A garden and a painting, both ________.
- ______________ is common to both a garden and a painting.
- Like a garden, a painting too __________.
Answer:
- Just as a garden is full of natural beauty and colours, similarly, a painting shows beauty through artistic colours and imagination.
- A garden and a painting, both are colourful and pleasing to the eyes.
- Variety of colours is common to both a garden and a painting.
- Like a garden, a painting too looks lively and full of life.
III. Look at the painting given above and identify palette, canvas, and select a hue.
1. Palette: a thin oval or rectangular board or tablet that a painter holds and mixes colours on.
2. Hue: shade of a colour
3. Canvas: (here) painting
Answer:
1. Palette: The colour board shown on the side with different colours.
2. Canvas: The painting of the landscape (with tree, river, rainbow).
3. Hue: Green (seen in trees and grass) or blue (sky/water).
Class 9 English Canvas of Soil Poem Question Answer
Check Your Understanding
I. Read the poem again and complete the summary of each stanza by filling in the blanks.
1. The ______________ is portrayed as a rich palette where gardeners’ __ __ __ a __ s flourish in the form of ______________ , awaiting spring.
2. The garden flowers ______________ into a beautiful display of diffrent b __ __ __ __ __ m s, resembling a ______________ by Mother Nature, in the light of morning.
3. Each garden is likened to a wide __ __ n __ __ s, integrating art and __________. Through the effrts of gardeners, gardens transform into still-life ______________.
Answer:
1. The earth/soil is portrayed as a rich palette where gardeners’ dreams flourish in the form of seeds, awaiting spring.
2. The garden flowers bloom into a beautiful display of different blossoms, resembling a painting by Mother Nature, in the light of morning.
3. Each garden is likened to a wide canvas. integrating art and life. Through the efforts of gardeners, gardens transform into still-life paintings.
II. Select the appropriate title for each stanza from those given below. There are two extra titles.
1. Nature’s Work of Art
2. Sweet-smelling Blossoms
3. Gardens as Living Canvases
4. Earth and Possibilities
5. The Painter’s Canvas
Answer:
Stanza 1 – Earth and Possibilities
Stanza 2 – Nature’s Work of Art
Stanza 3 – Gardens as Living Canvases
III. Match the poetic devices in Column 1 to the examples in Column 2. Discuss your responses in pairs. Then share the responses with your classmates and teacher.

Answer:
(1 – iv), (2 – vi) (3 – ii), (4 – i),(5 – vii), (6 – v), (7 – iii)
Critical Reflection
I. Read the given extracts from the poem and answer the questions that follow.
Question 1.
Brushstrokes of seeds, planted true,
Awaiting spring’s vibrant hue.
i) The poet has used a metaphor in ‘Brushstrokes of seeds’. Which option from those given below uses a metaphor?
(A) Her mother’s heart heard her heartfelt request with kindness.
(B) She has a heart of gold.
(C) Her heart did a dance of joy on seeing the new doll.
(D) She has a very kind heart.
Answer:
(B) She has a heart of gold.
ii) Complete the sentence appropriately. The phrase ‘planted true’ is significant because it implies ________.
Answer:
that the seeds are sown with care, sincerity and purpose, reflecting the gardener’s dedication and hope for growth
iii) Why has the poet used the word ‘hue’ instead of ‘colours’ in the extract?
Answer:
The poet uses ’hue’ instead of ’colours’ because it sounds more poetic and painterly, reinforcing the extended metaphor of the garden as a canvas and connecting to the poem’s central theme of art and nature.
iv) Complete the following analogy correctly with a word from the extract.
Summer: hot:: Spring : _________
Answer:
vibrant
v) Read the Assertion (A) and the Reason (R) and select the option that is correctly suited.
(A) : Gardeners wait for Spring.
(R): Gardens are worth painting in Spring.
(A) Both (A) and (R) are true and (R) is the correct explanation of (A)
(B) Both (A) and (R) are true but (R) is not the correct explanation of (A)
(C) (A) is true but (R) is false.
(D) (A) is false but (R) is true.
Answer:
(B) Both (A) and (R) are true but (R) is not. the correct explanation of (A).
Question 2.
Each plot, a canvas wide,
Where art and life coincide.
i) What does ‘Each plot’ refer to in this extract?
Answer:
Each individual garden plot or piece of land that a gardener tends to.
ii) Select which option imitates the rhyme scheme of the extract.
(A) beautiful and clear laughter and cheer
(B) beautiful and clear laughter and tears
Answer:
(A) beautiful and clear laughter and cheer
iii) Select the line from the extract that conveys that gardening blends aesthetic beauty with natural growth.
Answer:
“Where art and life coincide.”
iv) Complete the following sentence appropriately.
The plot is likened to a canvas suggesting that ______ .
Answer:
a garden, like a painting, is a space where creativity and careful effort come together to create something beautiful.
v) Why has the poet most likely used the word ‘wide’ instead of ‘long’ in ‘canvas wide’?
Answer:
‘Wide’ suggests openness, possibility and expanse like a canvas stretched out with room for creation. ‘Long’ would imply only a narrow dimension, missing the sense of boundless potential that the poet wants to convey.
II. Give reasons for the comparisons made by the poet in the poem.
1. A painter is compared to a gardener because ______________.
2. A palette is like earth as __________________.
3. The brushstrokes are like seeds because _________________.
4. A canvas is similar to a garden plot as __________________.
Answer:
1. A painter is compared to a gardener because both create something beautiful through skill, patience, and careful nurturing like one, on canvas, the other in soil.
2. A palette is like earth as both hold a variety of colours and possibilities, ready to be shaped into something beautiful.
3. The brushstrokes are like seeds because both are the starting point of creation: small, deliberate marks that eventually grow into a larger, colourful picture.
4. A canvas is similar to a garden plot as both are blank spaces that come alive through the work and vision of the one who tends to them.
III. Answer the following questions.
Question 1.
How does the metaphor ‘Brushstrokes of seeds’, enhance the understanding of gardening as an art form?
Answer:
The metaphor ‘Brushstrokes of seeds’ makes gardening feel like a deliberate, creative act rather than mere labour. Just as an artist places each brushstroke with intention, a gardener plants each seed with care and purpose, suggesting, that both are creating something beautiful from nothing.
Question 2.
What can you infer about the poet’s perspective on the relationship between nature and creativity from the following lines?
‘Each plot, a canvas wide,/Where art and life coincide.’
Answer:
The poet sees nature and creativity as inseparable. A garden plot is never just land, it is a canvas waiting to be filled. The word ‘coincide’ suggests that art does not imitate nature; they exist as one, each giving meaning to the other.
Question 3.
Do you think the imagery in the poem successfully paints a vivid picture in the reader’s mind? If yes, why? If no, why not?
Answer:
Yes, the imagery works effectively. Phrases like ‘shades of green, red, and blue,’ ‘blossoms bloom’ and ‘palette of earth’ appeal to the senses of sight and touch, making the garden feel visible and alive in the reader’s mind.
Question 4.
Support the view that the poet’s mention of the colour yellow, besides red, blue and green, would have lent effectively to the imagery.
Answer:
Yellow, the colour of sunflowers and ripening crops, would have completed nature’s full spectrum and added warmth toi the visual palette. Its absence is noticeable since yellow is among the most prominent colours in any garden and including it would have made the imagery even richer and truer to life. .
Question 5.
Considering the line ‘Gardens become paintings still’, what can you interpret about the poet’s view on the timelessness of nature’s beauty?
Answer:
The poet suggests that a garden, once created through human effort and nature’s grace, becomes a timeless work of art..Unlike painted canvases that age and fade, a garden renews itself every season, making its beauty permanently woven into the cycle of life.
Question 6.
Justify the title of the poem, ‘Canvas of Soil’.
Answer:
The title ‘Canvas of Soil’ captures the poem’s central idea perfectly that the earth itself is an artist’s canvas. Soil holds the seeds, nourishes growth, and gives rise to colour and life, just as a canvas’ holds paint and gives rise to a painting. The title unites the two worlds of nature and art in just three words.
Vocabulary in Context
I. The poet refers to the shades of green, red, arid blue in the poem. Let us read some of the names of different shades of these colours. (Refer to diagram given in the textbook) Now, Discuss in pairs, any two things that you can associate with these colours.

Answer:
1. Shades of Red
- Scarlet – a blooming rose, a ripe tomato
- Crimson – dried chillies, a velvet curtain
2. Shades of Green
- Olive – army uniforms, pickle jars
- Apple green – fresh spring leaves, a raw mango
3. Shades of Blue
- Indigo – the night sky, denim fabric
- Sky blue – a cloudless afternoon, a calm river
[Note: Some examples from each shade have been covered. Taking reference from this, students are expected to do this activity on their own.]
II. Read the following paragraph and discuss in pairs what the underlined painting-related words might mean. Discuss this way:
I think _______ means______ because the passage talks about ________
Example: I think portrait means a picture of someone’s face because the passage talks about capturing a friend’s features.
In the art studio, young painters eagerly approached their easels, each framing a canvas that they had to work on. The teacher encouraged them to experiment with a diverse tonal range, playing with shades and hues to bring their paintings to life. One student focused on a detailed portrait, capturing his friend’s features, first with careful underpainting and then filing the final colours. Another student worked on a mural, depicting a Spring Day on the right wall of the classroom. The room continued to buzz with artistic energy.
Answer:
- I think easels means a stand that holds the canvas while painting, because the passage talks about painters approaching them to work on their canvas.
- I think tonal range means the variety of light and dark values in a painting, because the passage talks about experimenting with different shades and hues.
- I think portrait means a detailed picture of a person’s face and features, because the passage talks about a student carefully capturing his friend’s features.
- I think underpainting means a first rough layer of paint applied before the final colours, because the passage talks about it being done before filling in the final colours.
- I think mural means a large painting made on a wall, because the passage talks about a student depicting a Spring Day op the classroom wall.
Listen and Respond
I. You will listen to a young girl describe her school garden. As you listen identify which of the following 1-3, she does not talk about. (Transcript for teacher on Textbook page 264)

Answer:
She does not talk about Image 2 — the garden hose/water tap.
The girl mentions the bench (Image 1) and butterflies (Image 3), but says nothing about watering equipment or a hose at any point in her description.
II. You will once again listen to the young girl. As you listen, circle the correct answer from the options given below.


Answer:

Speaking Activity
I. People wish to have a garden at home. Some j like a flower garden and some a vegetable ! garden. Think and note some advantages of ; both these types, as gardens for homes.
Answer:
Advantages of Both Types
| Flower Garden | Vegetable Garden | |
| 1. | Brightens the home with colour and fragance | Provides fresh, chemical-free produe for the family |
| 2. | Attracks butterflies and birds, adding life to the surroundings | Saves money on groceries |
| 3. | Improves mental well-being and reduces stress | Teaches children where food comes from |
| 4. | Can be gifted or used for decoration on special occasions | Encourages healthy eating habits at home |
| 5. | Enhances the beauty and appeal of the home | Makes productive use of outdoor or balcony space |
II. Would you like to have a flower garden or a vegetable garden at home? Why? Take turns with your partner and speak your points aloud, one by one, by using the given sentence prompts given in textbook to express your preference, with reasons.
- I prefer __________ to __________ because …
- For me , it is a __________ instead of a __________ due to …
- If I had a choice I’d rather have a ________than a __________ as …
- I would prefer __________ rather than __________ since …
Answer:
- I prefer a flower garden to a vegetable garden because it fills my home with colour, fragrance, and a sense of calm every single day. ‘
- For me, it is a vegetable garden instead of a flower garden due to the practical benefit of growing my own fresh tomatoes, spinach, and herbs right at home.
- If I had a choice, I’d rather have a flower garden than a vegetable garden as watching roses and marigolds bloom every morning brings me genuine joy and peace of mind.
- I would prefer a vegetable garden rather than a flower garden since it not only saves money but also ensures my family eats healthy, homegrown food every day.
[Note: The above pointers are given for reference. Students are expected to do this activity on their own.]
Writing Task
I. Write a descriptive piece of two to three paragraphs describing the details and colours in the garden you have visited.
- Focus on how different shades of blue, red, and green interact, create contrast, and bring the garden to life.
- Pay attention to details like the texture of petals, the varying greens of leaves, and the way light affects the colours.
Answer:
The botanical garden is a living masterpiece where nature’s colours blend like paint on a canvas. Deep, velvety Crimson roses stand out against the bright Cobalt blue of the I hydrangeas, creating a beautiful contrast between warm and cool tones. The leaves; add to this variety, ranging from the dark, I shadowy Pine green of old bushes to the bright Apple green of new shoots. Near the pond, lilies rest on thick Jade pads, while the shifting sunlight turns Sky blue flowers into a pale Ice blue. From the vivid Scarlet hibiscus to the dark Navy blue shadows, every element works together to turn the garden into a peaceful, ever-changing “still I life” painting.
Learning Beyond the Text
I Mini-Project
Objective: Explore the multifaceted world of gardens—their design, cultural signifiance, artistic inspiration, and the art of gardening itself.
Duration: This project can span over a few weeks, allowing students adequate time for research and creative processes.
Select any TWO assignments. Any one from 1 or 2, and any one from 3 or 4
(1)
- Do research and collect information on any FIVE famous gardens of India, such as Amrit Udyan, Brindavan Gardens, and many others.
- Focus on history, design elements, and cultural signifiance.
- Prepare a short report and make a presentation.
(2)
- Explore various art forms (painting, sculpture) inspired by gardens. Select an art piece and analyse how the garden is represented.
- Create a visual or written response inspired by the garden.
(3)
Design your own garden
- Design a garden on paper or using digital tools.
- Incorporate elements and artistic inspirations learned from parts (1)/(2).
- Present yourchoices in design and artistic influences to the class.
(4)
Interview with a Gardener or Landscaping Expert
- Approach a local gardener or a landscaping expert for an interview.
- Prepare questions focussed on understanding the practical aspects of gardening/landscaping.
- Write a summary of your experience.
Answer:
Assignment 1: Five Famous Gardens of India
1. Amrit Udyan, New Delhi
Formerly known as Mughal Gardens, Amrit Udyan sits within the Rashtrapati Bhavan complex. Designed in the Mughal style with Persian and English influences, it features long rectangular flowerbeds, fountains, and seasonal flowers like tulips and roses. It opens twice a year (originally, it opened once a year) and holds deep national significance as the President’s garden.
2. Brindavan Gardens, Mysuru
Built in 1932 alongside the Krishnaraja Sagar Dam, these terraced gardens are famous for their symmetrical layout, musical fountain, and vibrant flowerbeds. They represent a blend of Mughal and European garden design and remain one of India’s most visited gardens.
3. Shalimar Bagh, Srinagar
Built by Emperor Jahangir for Empress Noor Jahan in the 17th century, Shalimar Bagh is a classic Mughal Garden set against the backdrop of Dal Lake and the Himalayas. Its terraced layout, chinar trees, and water channels make it one of the finest surviving examples of Mughal landscape design.
4. Rock Garden, Chandigarh
Created by Nek Chand from industrial and urban waste, this garden is unlike any other. Sculptures of humans, animals, and dancers made entirely from broken bangles, tiles, and discarded material fill an approximate 40-acre space. It stands as a, remarkable example of outsider art and environmental creativity.
5. Lodhi Garden, New Delhi
Spread across 90 acres in the heart of Delhi, Lodhi Garden combines history with horticulture. It houses 15th-century tombs of the Lodhi dynasty surrounded by manicured lawns, ancient trees, and seasonal blooms. It serves as both a heritage site and a peaceful green lung of the city.
Assignment 3: Design Your Own Garden
Garden Name: The Palette Garden
Inspired by the poem ‘Canvas of Soil’, this garden is designed to mirror an artist’s palette, where every section represents a different colour family, and the overall layout resembles a canvas from above.
Layout and Design Elements:
The garden is divided into three main sections: the Red Walk, the Green Heart, and the Blue Comer connected by a central stone pathway.
The Red Walk runs along the entrance and features scarlet roses, crimson dahlias and vermilion bougainvillea climbing trellises on either side. The warm tones create a welcoming, energetic first impression.
The Green Heart forms the centre of the garden – a circular lawn surrounded by hedges of varying greens: pine green conifers at the border, apple green shrubp closer in, and a carpet of deep India green grass at the centre. A simple wooden bench sits here, offering a quiet resting point.
The Blue Comer occupies the far end/near a small water feature. Cobalt blue hydrangeas, indigo salvia, and sky-blue morning glories climbing a trellis create a calm, cool contrast to the warmth of the Red Walk.
Artistic Inspiration: The design draws from the poem’s central idea that a garden is a living painting. Each section transitions into the next like brushstrokes on a canvas, and no two beds are identical, reflecting the poem’s line ‘Nature’s artwork, ever new.’
[Note: Two projects have been given as references. Students are expected to do these activities on their own.]
Canvas of Soil Class 9 Extra Questions and Answers
Canvas of Soil Class 9 Short Question Answer
Question 1.
How does third stanza differ in focus from the first stanza of the poem?
Answer:
The first stanza focuses on potential – seeds planted in soil, dreams waiting for spring. This final, third stanza focuses on fulfilment: the garden has become a painting with art and life having merged. Together they form a complete arc from beginning to beautiful conclusion.
Question 2.
How does the poem challenge the common belief that art belongs only in studios and galleries?
Answer:
The poem places art firmly outdoors such as in soil, seeds, and gardens. By comparing plots to canvases and tilling to painting, the poet argues that creativity is not confined to formal spaces. Wherever human effort meets ‘nature, art is already happening.
Question 3.
What is the significance of the poem beginning with ‘palette of earth’ rather than simply ‘the earth’?
Answer:
Opening with ‘palette’ immediately frames the entire poem through an artistic lens. It tells the reader from the very first line that this is not a poem about farming, it is a poem about creation, beauty and the art hidden beneath everyday labour.
Question 4.
How does the poet use the morning as a deliberate setting rather than simply a time of day?
Answer:
Morning carries connotations of freshness, possibility and new beginnings. By setting the garden scene in morning light, the poet heightens the sense of vitality and beauty. The colours appear most vivid at dawn, making the garden feel like a painting revealed for the first time each day.
Question 5.
How does the poet elevate the status of a gardener to an artist without ever using the word?
Answer:
The poet elevates the gardener to an artist through metaphor and imagery alone. Words like ‘palette,’ ‘brushstrokes,’ and ‘canvas’ create a subtle comparison, allowing readers to see gardening as a form of art. By the end, the gardener is perceived as a creator, without this being directly stated.
Question 6.
Why is ‘planted true’ a more powerful phrase than simply saying ‘planted carefully’?
Answer:
‘True’ carries moral weight beyond physical precision. It suggests sincerity, honesty, and genuine intention. A gardener who plants ‘true’ is not merely being careful, they are being faithful to the earth, investing real purpose into every seed, the way an artist commits to every brushstroke.
Question 7.
How does the poem suggest that patience is an essential quality shared by both gardeners and artists?
Answer:
Seeds are planted and then, nothing immediate. The poem captures this waiting in the line ‘awaiting spring’s vibrant hue.’ Both gardeners and artists must trust the process, work without instant results, and believe that what they have begun will eventually bloom into something worth seeing.
Question 8.
How does the colour imagery in ‘shades of green, red, and blue’ reflect the poem’s central theme?
Answer:
A painter works with exactly these primary and natural colours on a palette. By listing them as nature’s own colours, the poet reinforces that the garden is nature’s painting. The colours do not decorate the theme; they are the theme made visible.
Canvas of Soil Class 9 Long Question Answer
Question 1.
The poem uses the extended metaphor of painting throughout. Identify at least three painting-related words from the poem and analyse how each one deepens the reader’s understanding of gardening as a creative process.
Answer:
The poet uses palette, brushstrokes and canvas to build an extended metaphor that transforms gardening into an art form. The “palette of earth” suggests that soil itself holds infinite creative potential, just as a painter’s palette holds colours. “Brushstrokes of seeds” implies that planting is deliberate and precise, with each seed placed with the intention of creating something beautiful. “Canvas wide” suggests that the garden is a large, open space for creative expression. Together, these words shift our perception of gardening from mere physical labour to something deeply imaginative, showing that creativity is not confined to studios and galleries, but flourishes wherever human hands work with purpose and care.
Question 2.
The poet uses the phrase ‘Nature’s artwork, ever new What does the word ‘ever’ contribute to the meaning of this phrase? How does it connect to the poem’s larger message about the relationship between nature and time?
Answer:
The word “ever” highlights the continuous and unending nature of creativity in nature. It suggests that nature is always changing, renewing, and creating something new rather than remaining fixed. Each day, the garden looks slightly different, with new blooms, colours, and patterns emerging. This idea connects to the poem’s larger message about the relationship between nature and time. Unlike human-made art, which remains the same once completed, nature’s artwork is always evolving. The garden is never truly finished, as it keeps growing and transforming with time. Through this, the poet shows that nature is a dynamic and tireless artist, constantly creating beauty without pause.
Question 3.
The poet ends with the line “Gardens become paintings still”. Do you think this is an effective conclusion to the poem? Evaluate its impact, considering both its literal and figurative meaning.
Answer:
The closing line is remarkably effective because it works on two levels simultaneously. Literally, ‘still’ suggests that gardens, once tended, remain beautiful and unchanged, like a moment of nature frozen into a painting. Figuratively, it implies that gardens are always paintings, timeless works of art that renew themselves endlessly.
As a conclusion, it brings together everything the poem has explored, including soil, seeds, blossoms, colour and human effort, and distills it into one quiet, powerful image. The brevity of the line gives it weight. After vivid descriptions of colour and movement, the poem settles into stillness, leaving the reader with a lasting impression of nature as an eternal, living artwork.
Question 4.
Imagine you are a gardener reading this poem for the first time. How would the poem change the way you think about your own work? What new meaning would your daily tasks carry after reading it?
Answer:
Reading this poem as a gardener would be deeply affirming. Tasks that might seem ordinary, such as breaking soil, planting seeds, and watering rows, would suddenly feel like acts of creation. The- image of seeds as brushstrokes would make the act of planting feel intentional and artistic rather than routine. Watching blossoms bloom would feel like seeing a painting come to life.
The line ‘where art and life concide’ would serve as a reminder that a garden is not separate from beauty but is beauty itself. Most powerfully, knowing that one’s hands create ‘paintings still’ would give daily work a sense of permanence and meaning, transforming labour into something closer to a calling.
Question 5.
Using the central theme of the poem, write a short critical appreciation explaining how Maya Anthony successfully blurs the boundary between the natural world and the world of art.
Answer:
Maya Anthony’s Canvas of Soil is a quietly brilliant poem that dismantles the boundary between nature and art by showing that both spring from the same source, which is the human desire to create beauty. What makes the poem particularly successful is its movement. It travels from potential, where seeds lie in soil, to fulfilment, where gardens become paintings, mirroring the actual arc of a garden’s growth.
The structure itself becomes an argument for the poem’s theme. Nature is cast as an artist producing ‘artwork, ever new,’ while the gardener becomes its willing collaborator. The result is a poem that celebrates not just gardens but the quietly artistic nature of all human labour that shapes the living world.
Question 6.
The poem focuses entirely on the beauty of a garden. Do you think the poet has presented a complete picture of a gardener’s life? What aspects might have been left out, and why do you think the poet made that choice?
Answer:
The poet presents a celebration rather than a complete portrait, deliberately focusing on beauty and creativity while leaving out the hardships of a gardener’s life. The physical exhaustion, the disappointment of failed crops, the uncertainty of weather, and the economic pressures that many gardeners face find no place in this poem. This is a conscious artistic choice.
The poem’s purpose is not documentation but inspiration, aimed at elevating the gardener’s work and helping readers see dignity and artistry in it. By showing only the beautiful outcome, the poet invites readers to respect all forms of labour. A more complete picture, however, might have added even greater depth, since beauty earned through struggle carries more weight than beauty that appears effortlessly.
Writing Task
The poem Canvas of Soil shows how everyday work can become a form of art. Think of a person whose work you see in daily life (such as a cook, tailor, or street sweeper). Write a descriptive paragraph (150—180 words) focusing on one moment of that person at work.
Your paragraph should:
- Describe a single action in detail
- Include at least two sensory details (sight, sound, smell, or touch)
- Use one original comparison to show their work as art (without using ‘like’ or ‘as’)
- End with a sentence showing the importance of their work
Avoid:
- General descriptions or life stories
- Starting with “He/She is hardworking”
Answer:
The tailor sits by the window, guiding a piece of deep blue fabric under the steady needle of his sewing machine. The soft whirr of the machine fills the room, rising and falling with the rhythm of his hands. His fingers move with quiet precision, folding the cloth, smoothing its creases, and aligning the edges before each stitch. The faint smell of freshly pressed fabric lingers in the air. As the needle moves swiftly, the fabric begins to take shape, each line of thread holding it together with care.
The stitching forms nqat patterns, turning plain cloth into something purposeful and refined, with an identity of its own. In that moment, his work feels like a silent composition, where every stitch adds meaning and structure. The garment slowly comes alive under his touch, shaped not just by skill but by attention and patience. His work quietly supports daily life, clothing people with comfort, dignity and care.
Question 1.
Now that you have explored the idea of the “palette of earth” in the poem, let us explore the “palette of soil” in India.
Research the different types of soil found in India (such as alluvial, black, red, etc.). Present your findings in a table including:
- Name of the soil ‘
- Region where it is found .
- Colour
- What they are rich in or key characteristics
Answer:
| Soil Type | Primary Colour | Regions Found | Rich In / Characteristics |
| Alluvial Soil | Light Grey to Ash Grey | Indo-Gangetic plains (Punjab, Haryana, UP, Bihar, West Bengal), Coastal deltas. | Potash and Lime. It is the most fertile soil, formed by river deposits. |
| Black Soil (Regur) | Deep Black to Grey | Deccan Trap (Maharashtra, Gujarat, Madhya Pradesh, Chhattisgarh). | Lime, Iron, Magnesium, and Alumina. High water- retaining capacity; ideal for cotton. |
| Red & Yellow Soil | Red (due to iron diffusion); Yellow (when hydrated) | Odisha, Chhattisgarh, southern part of Middle Ganga plain, Western Ghats. | Iron and Potash. Formed from crystalline igneous rocks in low-rainfall areas. |
| Laterite Soil | Rusty Red | Karnataka, Kerala, Tamil Nadu, Madhya Pradesh, hilly areas of Odisha and Assam. | Iron Oxide and Aluminium. Formed due to intense leaching; used extensively for making bricks. |
| Arid / Desert Soil | Red to Brown | Western Rajasthan, parts of Haryana and Punjab. | Soluble Salts. High calcium (Kankar), content; can be productive only with heavy irrigation. |
| Mountain / Forest Soil | Dark Brown / Black | Himalayan regions, Sikkim, Arunachal Pradesh. | Humus (Organic matter) Texture varies from loamy in valleys to coarsegrained on upper slopes:- .. |
[Note: The above refrrence is given for reference. Students are expected to do this activity on their own.]
Local to Global: The Universal Nature of Garden
Gardens know no borders

Gardens carry a universal language where the earth becomes a canvas for human creativity. From the carefully planned terraces and flowing water channels of Shalimar Bagh to the grand, symmetrical landscapes of the Gardens of Versailles, the art of tilling transforms local soil into a global masterpiece.























































































